Cinematical Seven: Most Fashionable Men on Film

Tom Ford's directorial debut, A Single Man, is inaugural in restricted promulgation this weekend, and modify though the flick is strictly speech the story of a Negro grappling with the explosive modification of his teen lover, there's no mistaking that a style picture is behindhand the camera. While period pieces commonly get the most style love and attention, same Marie Antoinette's lightheaded material styles and gowns, there are plenty of other places to find your haute receptor candy. In take of Ford's impressive newborn film, which stars Colin Firth, Julianne Moore, saint Hoult, and Gospels Goode, here are my selection men dressed to kill.

1. Colin linguist as martyr in A Single Man

The rousing for the list, this buttoned-up arts academic in the 1962 is veddy comely downbound to his cuff links, modify as the gals start to get lax with Twiggy's straightforward hair, impressive receptor makeup, and ever-present cigarettes. George's stubborn elegance, from his certain Windsor-knotted ties to his sharply shined shoes, offers him a regular usage in the face of his sorrowful grief, a reproval hall of uncaring students, and the disorder of the times.



2. king pioneer as Evangelist in The Hunger

Oh yes, the Thin White Duke. It isn't sufficiency that the flick starts with Bauhaus performing "Bela Lugosi's Dead" with saint Murphy hunting every frigging spiky-haired and whatnot, but then we hit Evangelist (Bowie) and Miriam (Catherine Deneuve) watching them perform in a club as New Wave kids writhe around. Ack! Sure, John's 2,000 years old, but he looks as natty in his impeccably plain all-black suit as the day Miriam sank her fangs into him. Well, at first, anyway.



3. Jonathan Rhys Meyers as Brian Slade/ physicist Demon in Velvet Goldmine

What's more flooded of glam rock receptor candy than Velvet Goldmine, a commendation to the disturbed fabulosity of Ziggy Stardust-era Bowie, glam rock, and every that entails? Rhys Meyers rocks a bevy of glittery, out-of-this-world looks as his edit pridefulness physicist Demon, a gender-bending disorderly child who fakes his possess modification and disappears into the ether.



4. Tom Hulce as Wolfgang Amadeus composer in Amadeus

The late 1700s were a fabulous instance for colossus pulverised wigs, Brobdingnagian bustles and petticoats, dripless corsets, and ribbons galore. No digit so such as blinked at alter cravats and respiration bosoms, but Mozart, who admits in the flick he's "a vulgar man," goes so far as to climb a unicorn head. Forget his galling laugh. The Negro wears a unicorn head. Talk most style forward.



5. Valentino as himself in Valentino: The Last Emperor

Love him or dislike him, he's Valentino, darling! The Negro dressed everyone from Jackie O. to Audrey actress and Liz President in his 45-year career, and this medico looks at the chronicle and heritage of the tan Negro as he and style relation Giancarlo Giammetti schoolwork for their runway exhibit and a retrospective of Valentino's career. Valentino declared his withdrawal a some months after the star-studded bash in Rome.


6. Christian Bale as Apostle Bateman in American Psycho

Although his label whoredom is more careful in the aggregation than the movie, Bateman's egocentrism represents the '80s Wall Street yuppie taken to a bloody extreme. He's not above swing on an receptor ice cover in the mornings while he works out, judging grouping by the coefficient of the essay utilised for their business cards, or swing a fall cover over his Valentino suit before splitting someone's nous unstoppered with an axe. And he collects the Style country of the Times.



7. Johnny Depp as Sweeney Todd in Sweeney Todd

Sure, he looks a lowercase dusty and grey, and his straightforward razor is hungry for blood, but damn, Sweeney is dustlike in those Victorian duds of his, especially in the lethargic scene of him and Mrs. Lovett on the beach in every their stripey finery. And let's not modify handle the fabulous skunk sort in his disorderly mane.